In a world where lines intersect and colours splash beyond the conventional canvas, a maverick spirit is continually forging a path laden with geometric wonder and fragmented brilliance. Nestled in the heartbeat of this vibrant landscape is contemporary artist Dylan Gill, a visionary who has molded and melded the legacies of Juan Gris and Jean Metzinger into a narrative that is uniquely his own. As we delve into Gill's universe, we find ourselves on the cusp of witnessing the evolution of a modern Cubist maestro, one brushstroke at a time.
Retro Kolkata : Dylan, your work has been extensively influenced by the cubist movement and artists like Juan Gris and Jean Metzinger. How would you say your style has evolved from your early days at Goldsmiths, University of London till now?
Dylan : In the early days at Goldsmiths, University of London, my artistic style was deeply influenced by the cubist movement and artists like Juan Gris and Jean Metzinger. However, over time, my style has evolved and become more distinct. While still drawing inspiration from cubism, I have incorporated elements of abstraction and surrealism into my work, resulting in a unique fusion of styles. My use of bold colors, fragmented forms, and intricate compositions creates a dynamic and visually captivating experience for the viewer. My evolution as an artist showcases my ability to push boundaries and continually explore new artistic avenues while staying rooted in the foundations that initially inspired me.
Retro Kolkata : You've had the opportunity to showcase your work across Europe and Asia. Can you share any memorable experiences or cultural influences you've gathered along the way?
Dylan : Throughout my journey of showcasing my work across Europe and Asia, I've had the privilege of encountering numerous memorable experiences and cultural influences. One particular moment that stands out is when I exhibited my artwork in Paris, France. The vibrant art scene and rich cultural heritage of the city left a profound impact on my creative process. Exploring renowned museums like the Louvre and Musée d'Orsay exposed me to masterpieces that broadened my artistic horizons and ignited my imagination.
Traveling to Asian countries such as Japan and China also left a lasting impression on me. The meticulous attention to detail and profound symbolism in traditional Japanese art captivated my senses. From delicate brushwork in ink paintings to the serene aesthetics of Zen gardens, I absorbed the essence of tranquility and harmony.
These experiences have not only enriched my artistic practice but also fostered a deep appreciation for the diverse tapestry of global art and culture. They have instilled in me a sense of curiosity and a desire to continually explore and learn from different creative traditions around the world.
Retro Kolkata : Your fascination with human features is evident in your work. How do you translate this fascination onto the canvas, and how does it tie into your cubist style?
Dylan : In my artistic practice, my fascination with human features serves as a driving force in my creative process. When translating this fascination onto the canvas, I strive to capture the essence of human form while exploring the transformative power of geometric abstraction inherent in cubist style.
Through the cubist lens, I deconstruct and fragment the human features, breaking them down into geometric shapes, angles, and planes. This approach allows me to present multiple viewpoints and perspectives simultaneously, reflecting the multidimensionality of human experience. By manipulating form and space, I aim to convey the complexity and dynamism of human identity and existence.
Within the cubist framework, I emphasize the interplay between the recognizable and the abstract. While retaining the essence of human features, I experiment with unconventional angles, overlapping planes, and distorted proportions. This technique enables me to convey a sense of movement, energy, and depth, evoking a more profound exploration of the subject's character and emotions.
By intertwining my fascination with human features and the cubist style, I seek to challenge traditional notions of representation and invite viewers to engage with the artwork on multiple levels. The fragmented forms and intricate compositions serve as a visual metaphor for the ever-changing nature of human perception and the complexity of our individual and collective identities.
Retro Kolkata : As a contemporary artist, how do you see the evolution of Cubism in the modern art scene, and where do you see yourself in this context?
Dylan : As a contemporary artist, I see the evolution of Cubism in the modern art scene as a continuing source of inspiration and influence. While Cubism emerged as a groundbreaking movement in the early 20th century, its impact and legacy have reverberated throughout the art world to this day.
In the modern art scene, artists have built upon the foundation laid by the Cubist pioneers, exploring new avenues of abstraction, representation, and conceptualism. Contemporary artists often reinterpret and reimagine the principles of Cubism, infusing it with their own unique perspectives and approaches. They experiment with diverse mediums, technologies, and ideas, pushing the boundaries of artistic expression.
Within this context, I see myself as an artist who engages with the Cubist legacy while exploring my own artistic voice. I strive to contribute to the evolution of Cubism by incorporating contemporary elements and pushing the boundaries of the style. Through my work, I aim to pay homage to the Cubist tradition while adding my personal interpretations and narratives.
I see myself as a part of a larger artistic dialogue, influenced by the rich history of art movements like Cubism while contributing to the ongoing exploration and innovation within the contemporary art scene. By embracing the spirit of experimentation, pushing artistic boundaries, and engaging with the ever-evolving artistic discourse, I aim to make my mark within the context of Cubism's evolution in the modern art world.
Retro Kolkata : Can you walk us through your creative process? What steps do you usually take from the moment an idea comes to you to the final brush stroke?
Dylan : Here is a walk-through of my creative process, from the initial idea to the final brush stroke:
1. Inspiration and Conceptualization: It all starts with an idea or inspiration that sparks my creativity. It could be something I observe in the world around me, an emotion I want to convey, or a concept I wish to explore. I take time to reflect, research, and gather visual references that align with my vision.
2. Sketching and Experimentation: Once I have a clear concept in mind, I begin sketching and experimenting with various compositions, forms, and arrangements. This stage allows me to explore different possibilities and refine my visual approach. I may create rough sketches or use digital tools to visualize and refine the concept further.
3. Material Selection and Preparation: Based on the nature of the artwork, I choose the appropriate materials such as canvas, paint, brushes, and any additional mediums or tools that suit my vision. I prepare the canvas or surface by priming, stretching, or prepping it as needed.
4. Composition and Underpainting: With a finalized sketch or plan, I begin laying down the initial composition on the canvas. This can involve blocking out areas, establishing proportions, or applying an underpainting layer that sets the foundation for the subsequent layers.
5. Layering and Building Forms: I work in layers, gradually building upon the underpainting. This involves adding colors, textures, and refining shapes. Depending on the desired effect, I may use various techniques such as glazing, impasto, or dry brushing to achieve the desired visual impact.
6. Iteration and Evaluation: Throughout the process, I step back to evaluate the artwork, considering its overall balance, composition, and the intended message. I make adjustments and refinements as needed, allowing the artwork to evolve organically.
7. Final Details and Completion: As the artwork nears completion, I focus on adding final details, refining edges, enhancing highlights and shadows, and creating a sense of depth and dimension. I pay attention to the overall harmony and unity of the composition.
8. Reflection and Finishing Touches: Once I am satisfied with the artwork, I take a step back and reflect on the final piece. I consider if it aligns with my initial concept and vision. If necessary, I may make any last-minute adjustments or add final touches to bring the artwork to its full potential.
Each artwork may have its unique variations and challenges, but this general process provides a framework for my creative journey, guiding me from the initial idea to the final brush stroke.
Retro Kolkata : "As movement becomes still in my paintings, the viewer is left with a new perception of shape, form reflected by the mind." Can you elaborate on this statement and what it means to you?
Dylan : The statement, "As movement becomes still in my paintings, the viewer is left with a new perception of shape, form reflected by the mind," encapsulates a significant aspect of my artistic intent and the experience I aim to evoke in the viewer.
When I refer to movement becoming still in my paintings, I am alluding to the transformative power of art to capture a moment frozen in time. Through careful composition, manipulation of form, and the use of various techniques, I strive to create a sense of stillness and contemplation within my artwork. This stillness allows the viewer to observe and engage with the shapes and forms presented in a new and heightened manner.
As the viewer encounters my paintings, their mind is invited to perceive shape and form beyond the constraints of literal representation. The composition, interplay of colors, and abstract elements prompt the viewer's imagination to come into play. In this contemplative space, the mind is encouraged to actively participate in interpreting the shapes and forms, connecting them to personal experiences, emotions, or memories.
This process of reflection and perception, where the mind collaborates with the visual stimuli, can lead to a deeper and more subjective understanding of the artwork. The viewer is invited to explore the nuances, complexities, and the hidden narratives within the composition, creating a unique and personal connection with the artwork.
Ultimately, my aim is to go beyond the surface level of visual representation and tap into the viewer's individual perceptual and cognitive faculties. By presenting a stillness amidst the visual elements, I intend to provide an opportunity for the viewer to experience a shift in perception, where shapes and forms take on new meanings and evoke a sense of wonder and introspection.
Retro Kolkata : Your work has been defined by the exploration of the relationship between shape and colour. How do you decide the interplay of these two elements in each piece?
Dylan : The interplay between shape and color is a fundamental aspect of my artistic practice, and the decision-making process for their interplay in each piece involves a combination of intuition, experimentation, and careful consideration.
1. Intuitive Response: I often begin by following my intuitive response to the subject matter or concept I'm working with. Certain shapes or forms may naturally emerge as I explore my initial ideas. I trust my instincts and allow them to guide the initial selection of shapes and colors.
2. Conceptual Considerations: I consider the conceptual underpinnings of the artwork. If there is a particular theme, mood, or narrative I aim to convey, I explore how different shapes and colors can contribute to that intention. For example, bold and angular shapes may evoke a sense of energy or tension, while softer and flowing shapes may suggest tranquility or harmony. Colors can evoke specific emotions or create visual contrast and balance.
3. Composition and Balance: I analyze the composition and balance within the artwork. I experiment with different arrangements of shapes and colors, seeking a harmonious relationship between them. This involves considering the visual weight, distribution, and spatial relationships of the elements to achieve a cohesive and visually engaging composition.
4. Contrast and Harmony: I explore the interplay of contrast and harmony between shape and color. Contrast can create visual interest and dynamic tension, highlighting the relationship between different shapes and colors. Harmonious combinations, on the other hand, can create a sense of unity and balance within the artwork. I experiment with different color palettes, exploring complementary or analogous color schemes to enhance the desired effect.
Ultimately, the interplay between shape and color is a dynamic and iterative process. It evolves as the artwork progresses, with each decision influencing subsequent choices. By embracing a balance between intuitive responses, conceptual considerations, compositional analysis, and careful adjustments, I aim to create a visual dialogue between shape and color that enhances the overall impact and meaning of each piece.
Retro Kolkata : You have mentioned the generation of 'new tensions' from both traditional and modern narratives in your artist statement. Can you share an instance where you've depicted this in your work?
Dylan : “The Peace Pipe" showcases the distinctive cubist style, known for its fragmented and multidimensional representation of subjects. In this artwork, I blend traditional and modern elements, inviting viewers to contemplate the tensions and complexities that arise from their juxtaposition.
In the painting, I portray a traditional Native American peace pipe, an object deeply rooted in Indigenous culture and customs. However, instead of depicting it in a traditional manner, I deconstruct and reassemble the form using fragmented geometric shapes and angular perspectives synonymous with cubism.
By adopting this cubist approach, I create a visual tension between the traditional subject matter and the innovative artistic technique. The fragmented forms and overlapping angles convey a sense of dynamism and complexity, evoking a dialogue between the past and the present.
Through "The Peace Pipe," I challenge the notion of a static and singular narrative by presenting a multidimensional perspective. The artwork encourages viewers to reflect on the evolving nature of cultural traditions and the complexities that arise when traditional objects and concepts interact with the modern world.
By embracing the cubist style, I generate a 'new tension' that prompts viewers to question their preconceived notions of tradition and invites them to explore the rich interplay between the timeless and the contemporary.
"The Peace Pipe" serves as a powerful testament to my artistic vision and my ability to evoke thought-provoking dialogues through the fusion of traditional and modern narratives. It stands as a captivating example of how art can transcend boundaries and create a space for reflection and exploration.
Retro Kolkata : How do you feel your perception of the world and its reflection in your art has changed over the years, particularly given the global events and changes of the past decade?
Dylan : Over the years, my perception of the world and its reflection in my art has undergone significant transformations, undoubtedly influenced by the global events and changes of the past decade. The shifting landscape of our world has prompted me to explore new perspectives, delve deeper into social issues, and adapt my artistic expression to reflect the evolving times.
In the past decade, we have witnessed seismic shifts in social, political, and environmental realms. Global events such as political movements, social upheavals, climate change concerns, and technological advancements have left an indelible mark on my perception of the world.
These changes have compelled me to reevaluate my role as an artist and the potential impact of my work. I have become more conscious of the need to address pressing social issues, challenge conventional narratives, and amplify marginalized voices through my art.
The interconnectedness of our world has become increasingly apparent, highlighting the importance of empathy, understanding, and solidarity. This realization has influenced my artistic process, as I strive to create work that fosters dialogue, bridges divides, and encourages viewers to critically engage with the complexities of our shared human experience.
Moreover, the accessibility of information and the rise of digital platforms have provided new avenues for artistic expression and the dissemination of ideas. These developments have expanded the possibilities for artists to connect with diverse audiences and spark conversations on a global scale.
In light of the global events and changes, my art has become more responsive and adaptive. I aim to capture the essence of our rapidly changing world, portraying its joys, struggles, contradictions, and aspirations. I embrace different mediums, experiment with innovative techniques, and explore interdisciplinary approaches to give voice to the multifaceted nature of our contemporary existence.
Through these shifts, I have learned the power of art to ignite change, provoke dialogue, and inspire hope. It has deepened my commitment to using my creative voice as a catalyst for social progress, fostering empathy, and promoting a more inclusive and compassionate world.
In essence, the past decade has profoundly influenced my perception of the world and its reflection in my art. It has instilled in me a sense of responsibility to engage with the pressing issues of our time and to channel the transformative power of art to shape a better future.
Retro Kolkata : Looking towards the future, are there any new themes or styles you're interested in exploring in your work? Can you give us a glimpse into any upcoming projects or exhibitions?
Dylan : Regarding new themes and styles, I'm always eager to explore innovative directions and push the boundaries of artistic expression. In recent years, I have found myself increasingly drawn to themes of sustainability, the intersection of nature and humanity, and the exploration of identity in a globalized world.
I'm intrigued by the potential of combining traditional techniques with modern mediums.
Additionally, I'm keen to delve into collaborations with other artist to create interdisciplinary projects that bridge different fields and challenge traditional boundaries. The fusion of diverse perspectives and expertise can lead to truly transformative and thought-provoking artworks.
As for upcoming projects and exhibitions, I'm currently in the early latter stages of planning a solo exhibition that explores the relationship between the human mind and emotional response to events. This exhibition will be held at the Vin Gallery in Vietnam from September 9th.
Furthermore, I'm thrilled to be part of a group exhibition at Art Basel, Miami.
These are just a glimpse into my future endeavors, and I'm excited to continue pushing the boundaries of my artistic practice and engaging with the ever-evolving world around us.
In the world of Dylan Gill, art transcends the canvas, breathing life and emotion into geometric forms and fragmented realities. His narrative, a harmonious blend of reverence for the Cubist pioneers and an insatiable thirst for innovation, promises an exhilarating future for contemporary art.
